Dripscape is a series of wall-based sculptures that each consists of nearly 800 horizontally projecting spheres. Every individual sphere on Cosmic Whirl has been hand-dipped in metallic paint, hung and left to drip-dry, then collectively formed into a relief.

Cosmic Whirl displays a spiral pattern across its surface, creating uniform flow and movement. This references growth structure found in nature, which had been explored by the mathematician Fibonacci.

Dripscape is a series of wall-based sculptures that each consists of nearly 800 horizontally projecting spheres. Every individual sphere on Cosmic Whirl has been hand-dipped in metallic paint, hung and left to drip-dry, then collectively formed into a relief.

Cosmic Whirl displays a spiral pattern across its surface, creating uniform flow and movement. This references growth structure found in nature, which had been explored by the mathematician Fibonacci.

Dripscape is a series of wall-based sculptures that each consists of nearly 800 horizontally projecting spheres. Every individual sphere has been hand-dipped in metallic paint, hung and left to drip-dry, then collectively formed into a relief.

Deep Space Anomaly displays a spiral pattern across its surface, creating uniform flow and movement. This references growth structure found in nature, which had been explored by the mathematician Fibonacci.

Dripscape is a series of wall-based sculptures that each consists of nearly 800 horizontally projecting spheres. Every individual sphere on Deep Space Anomaly has been hand-dipped in metallic paint, hung and left to drip-dry, then collectively formed into a relief.

Deep Space Anomaly displays a spiral pattern across its surface, creating uniform flow and movement. This references growth structure found in nature, which had been explored by the mathematician Fibonacci.

This new series of sculptures incorporate curved rods under tension that set out to map a journey through the structural chaos of break-away starbursts - the point of implosion!   

This new series of sculptures incorporate curved rods under tension that set out to map a journey through the structural chaos of break-away starbursts - the point of implosion! 

Dripscape is a series of wall-based sculptures that each consist of nearly 800 horizontally projecting spheres. Every individual sphere has been hand dipped in paint, hung and left to drip-dry, then collectively formed into a relief.

'Spiral Vortex' displays a spiral pattern across it surface, creating uniform flow and movement. This references growth structures found in nature, which had been explored by the mathematician Fibonacci.

Dripscape is a series of wall-based sculptures that each consist of nearly 800 horizontally projecting spheres. Every individual sphere has been hand dipped in paint, hung and left to drip-dry, then collectively formed into a relief.

'Spiral Vortex' displays a spiral pattern across it surface, creating uniform flow and movement. This references growth structures found in nature, which had been explored by the mathematician Fibonacci.

Dripscape is a series of wall-based sculptures that each consist of nearly 800 horizontally projecting spheres. Every individual sphere has been hand dipped in paint, hung and left to drip-dry, then collectively formed into a relief.

'Spatial Vortex' displays a spiral pattern across it surface, creating uniform flow and movement. This references growth structures found in nature, which had been explored by the mathematician Fibonacci.

Dripscape is a series of wall-based sculptures that each consist of nearly 800 horizontally projecting spheres. Every individual sphere has been hand dipped in paint, hung and left to drip-dry, then collectively formed into a relief.

'Spatial Vortex' displays a spiral pattern across it surface, creating uniform flow and movement. This references growth structures found in nature, which had been explored by the mathematician Fibonacci.

Osmond was especially commissioned to make mini sculptures to sit alongside a 1.5x3x1-inch micro sculpture by Alexander Calder, a recent acquisition by Maxwell Davidson Gallery, at Art Basel Miami 2013.

Osmond was especially commissioned to make mini sculptures to sit alongside a 1.5x3x1-inch micro sculpture by Alexander Calder, a recent acquisition by Maxwell Davidson Gallery, at Art Basel Miami 2013.

Osmond was especially commissioned to make mini sculptures to sit alongside a 1.5x3x1-inch micro sculpture by Alexander Calder, a recent acquisition by Maxwell Davidson Gallery, at Art Basel Miami 2013.

This new series of sculptures incorporate curved rods under tension that set out to map a journey through the structural chaos of break-away starbursts - the point of implosion!     

This new series of sculptures incorporate curved rods under tension that set out to map a journey through the structural chaos of break-away starbursts - the point of implosion!     

Supernova Series explores the nature of imploding stars. These sculptures set out to explore the initial spark; the catalyst for the origins of universal matter. Nova No.1and Matter Meeting investigate the colour and texture within that deconstructive moment and map out the directional force of the explosion.

Supernova Series explores the nature of imploding stars. These sculptures set out to explore the initial spark; the catalyst for the origins of universal matter. Nova No.1 and Matter Meeting investigate the colour and texture within that deconstructive moment and map out the directional force of the explosion.

This new series of sculptures incorporate curved rods under tension that set out to map a journey through the structural chaos of break-away starbursts - the point of implosion!        

This new series of sculptures incorporate curved rods under tension that set out to map a journey through the structural chaos of break-away starbursts - the point of implosion!        

This new series of sculptures incorporate curved rods under tension that set out to map a journey through the structural chaos of break-away starbursts - the point of implosion!   

Luna Cluster reminds us of a trophy of exploration - an object picked up on a moon landing. The sculpture's multi-faceted, bulbous surface rests on any axis, but looks comfortable on none, implying, 'I am not of this atmosphere'. It is frozen in a state of flux, locking in its evolutionary process.

Luna Cluster reminds us of a trophy of exploration - an object picked up on a moon landing. The sculpture's multi-faceted, bulbous surface rests on any axis but looks comfortable on none, implying 'I am not of this atmosphere'. It is frozen in a state of flux, locking in its evolutionary process.

Celestial String evolves from Osmond's recent Constellation Series of kinetic hanging sculptures. It is an experimental sculpture that also sets out to explore the natural phenomena of hovering celestial clusters and the invisible forces that affect them.

Celestial String is a spiralling formation of individual starbursts that randomly interconnect, rotating in a corkscrew motion in response to the pull of gravity.

Neutron is a kinetic hanging sculpture which references a neutron star: a highly dense and magnetic single spinning star constructed from pure neutrons. This sculpture of interconnecting rods and spheres can be viewed as one star form, rather than a constellation of stars, as is normally seen in Osmond's Constellation Series. The projections indicate the pulsing action of the neutron, an emitter of high energy.

Neutron is a kinetic hanging sculpture which references a neutron star: a highly dense and magnetic single spinning star constructed from pure neutrons. This sculpture of interconnecting rods and spheres can be viewed as one star form, rather than a constellation of stars, as is normally seen in Osmond's Constellation Series. The projections indicate the pulsing action of the neutron, an emitter of high energy.

Osmond's Wormhole Series of kinetic sculptures set out to physically capture a 3-dimensional spatial anomaly. A stainless steel, tubular mesh structure maps an ethereal pathway with an inlet and outlet that defines its outer edges, whilst internally its structure is ghostlike and mysterious.

Osmond's Wormhole Series of kinetic sculptures set out to physically capture a 3-dimensional spatial anomaly. A stainless steel, tubular mesh structure maps an ethereal pathway, with an inlet and outlet that defines its outer edges, whilst internally its structure is ghostlike and mysterious.

Osmond's Wormhole Series of kinetic sculptures set out to physically capture a 3-dimensional spatial anomaly. A stainless steel, tubular mesh structure maps an ethereal pathway, with an inlet and outlet that defines its outer edges, whilst internally its structure is ghostlike and mysterious.

Referencing Osmond’s drawing entitled Wormhole, completed in 2006, the Wormhole No.1 kinetic sculpture sets out to physically capture a 3-dimensional spatial anomaly. Its stainless steel tubular mesh structure maps an ethereal pathway, with an inlet and outlet that defines its outer edges, whilst internally its structure is ghostlike and mysterious.

Spiral Cluster evolves from Osmond’s recent Constellation Series of kinetic hanging sculptures. It is an experimental sculpture that also sets out to explore the natural phenomena of hovering clusters and the invisible forces that affect them. 

Spiral Cluster is a spiralling formation of individual starbursts that randomly interconnect, rotating in a corkscrew motion in response to the pull of gravity.

Spiral Cluster evolves from Osmond’s recent Constellation Series of kinetic hanging sculptures. It is an experimental sculpture that also sets out to explore the natural phenomena of hovering clusters and the invisible forces that affect them.

Spiral Cluster is a spiralling formation of individual starbursts that randomly interconnect, rotating in a corkscrew motion in response to the pull of gravity.

As if looking through a lens at the night sky, Spacescape transports you into another world. The midnight blue concave surface provides an infinite perspective, while the twinkling effect of the diamantes suggests movement or happenings somewhere ‘out there’ in space.

As if looking through a lens at the night sky, Spacescape transports you into another world. The midnight blue concave surface provides an infinite perspective, while the twinkling effect of the diamantes suggests movement or happenings somewhere ‘out there’ in space.

Supernova Series explores the nature of imploding stars. These sculptures set out to explore the initial spark; the catalyst for the origins of universal matter. Nova No.1 and Matter Meeting investigate the colour and texture within that deconstructive moment and map out the directional force of the explosion.

Supernova Series explores the nature of imploding stars. These sculptures set out to explore the initial spark; the catalyst for the origins of universal matter. Nova No.1 and Matter Meeting investigate the colour and texture within that deconstructive moment and map out the directional force of the explosion.

Supernova Series explores the nature of imploding stars. These sculptures set out to explore the initial spark; the catalyst for the origins of universal matter. Nova No.1 and Matter Meeting investigate the colour and texture within that deconstructive moment and map out the directional force of the explosion.

Dripscape is a series of wall-based sculptures that each consist of nearly 800 horizontally projecting spheres. Every individual sphere has been hand dipped in paint, hung and left to drip-dry, then collectively formed into a relief.

'Ebb' Dripscape resembles the vortex of a whirlpool. The trace of spirals across the surface of the sculpture aids its uniform flow and movement and references growth structures found in nature which had been explored by the mathematician Fibonacci.

Dripscape is a series of wall-based sculptures. Each artwork consists of nearly 800 horizontally projecting spheres that have been individually hand-dipped in paint, hung and left to drip-dry, then collectively formed into a relief.

‘Flow’ Dripscape resembles one large circular drip that defeats gravity. The trace of spirals across the surface of the sculpture aids its uniform flow and movement and references growth structures found in nature which had been explored by the mathematician Fibonacci.

Dripscape is a series of wall-based sculptures. Each artwork consists of nearly 800 horizontally projecting spheres that have been individually hand-dipped in paint, hung and left to drip-dry, then collectively formed into a relief.

‘Flow’ Dripscape resembles one large circular drip that defeats gravity. The trace of spirals across the surface of the sculpture aids its uniform flow and movement and references growth structures found in nature which had been explored by the mathematician Fibonacci.

Dripscape is a series of wall-based sculptures. Each artwork consists of nearly 800 horizontally projecting spheres that have been individually hand-dipped in paint, hung and left to drip-dry, then collectively formed into a relief.

‘Ripple’ Dripscape suggests the energy of a drop of water dissipating into a large body of water, creating a ripple which emanates from the point of impact. The trace of spirals across the surface of the sculpture aids its uniform flow and movement and references growth structures found in nature which had been explored by the mathematician Fibonacci.

Dripscape is a series of wall-based sculptures. Each artwork consists of nearly 800 horizontally projecting spheres that have been individually hand-dipped in paint, hung and left to drip-dry, then collectively formed into a relief.

‘Ripple’ Dripscape suggests the energy of a drop of water dissipating into a large body of water, creating a ripple which emanates from the point of impact. The trace of spirals across the surface of the sculpture aids its uniform flow and movement and references growth structures found in nature which had been explored by the mathematician Fibonacci.

Dripscape is a wall based sculpture that consists of nearly 800 hundred horizontally projecting ping-pong balls. Each ball has been dipped in paint, hung and left to drip dry, then collectively formed into a relief resembling one large circular drip.

The trace of spirals across the surface of the sculpture aids its uniform flow and movement and references growth structures found in nature which had been explored by the mathematician Fibonacci.

Dripscape is a wall based sculpture that consists of nearly 800 horizontally projecting ping-pong balls. Each ball has been dipped in paint, hung and left to drip dry, then collectively formed into a relief resembling one large circular drip.

The trace of spirals across the surface of the sculpture aids its uniform flow and movement and references growth structures found in nature which had been explored by the mathematician Fibonacci.

Constellation series is an evolving series of experimental sculptures that sets out to explore the natural phenomena of clusters hovering in space. This new sculpture in the series incorporates explosive colour referencing the moment that a cluster of stars or matter collide, a split second event captured in time.

The resulting 3-dimensional work is built intuitively from individual starbursts that randomly interconnect, creating an intensively layered structural mass. It is naturally kinetic as passing air flows through the negative space within its hovering form and light projects a moving chaotic shadow on surrounding surfaces.

Vapourscape represents a skyline on a clear day intersected by aviation vapour trails, these trails appear to be just at the point of dissipation back into the atmosphere. The materials used in this composition were specifically chosen for their simplistic colour similarities and the ephemeral qualities of both subject and material are frozen within a sculptural time capsule.

Vapourscape represents a skyline on a clear day intersected by aviation vapour trails, these trails appear to be just at the point of dissipation back into the atmosphere. The materials used in this composition were specifically chosen for their simplistic colour similarities and the ephemeral qualities of both subject and material are frozen within a sculptural time capsule.

The concept of Cloudscape has its roots in traditional landscape painting, primarily influenced by the atmospheric conditions portrayed by Turner and his use of perspective. Stripping down these references to basic elements and fusing materials that indirectly shape the atmosphere today, Cloudscape acts as a contemporary window onto the infinite possibilities of cloud formations.

Chopstick Cluster is a self-supporting sculpture consisting of 6000 bamboo chopsticks. It has been intuitively constructed by flat discs - each fabricated from 16 chopsticks - that interlock through one another until they bond and create a state of organised chaos. Contrary to its scale, it appears light and delicate relying jointly on negative space to create form.

Chopstick Cluster is a self-supporting sculpture consisting of 6000 bamboo chopsticks. It has been intuitively constructed by flat discs - each fabricated from 16 chopsticks tipped in painted nail lacquer - that interlock through one another until they bond and create a state of organised chaos. Contrary to its scale, it appears light and delicate relying jointly on negative space to create form.

Tabletop Sculptures are the result of indulging in the subversive office past time of paperclip sculpting - an investigation into the endless limits of the paperclip. Capitalising on this suppressed creativity the clips are transformed into compressed individual acts of beauty, able to hold their own in an argument for time wasting. This project is ongoing - with 150 produced so far - until all sculptural possibilities have been exhausted from this limited length of rounded steel. The clip sculptures will be exhibited on individual micro-tables en masse to create an installation around the scale of a full-size table.

Tabletop Sculptures are the result of indulging in the subversive office past time of paperclip sculpting - an investigation into the endless limits of the paperclip. Capitalising on this suppressed creativity the clips are transformed into compressed individual acts of beauty, able to hold their own in an argument for time wasting. This project is ongoing - with 150 produced so far - until all sculptural possibilities have been exhausted from this limited length of rounded steel. The clip sculptures will be exhibited on individual micro-tables en masse to create an installation around the scale of a full-size table.

Untitled (Spheres) is an experimental installation that sets out to challenge our perception of familiar domestic DIY components. Each component has little intrinsic value apart from the particular function for which it was made. When amalgamated with other products of a similar quality then fused into lightweight spherical structures emanating from a core, the materials transcend their stereotype and reference ephemeral natural structures found in the wild. These fragile translucent spheres are perched on top of fine quivering rods rising upwards at varying heights from the ground, reminiscent of dandelions or alliums found in random formations.

Untitled (Spheres) is an experimental installation that sets out to challenge our perception of familiar domestic DIY components. Each component has little intrinsic value apart from the particular function for which it was made. When amalgamated with other products of a similar quality then fused into lightweight spherical structures emanating from a core, the materials transcend their stereotype and reference ephemeral natural structures found in the wild. These fragile translucent spheres are perched on top of fine quivering rods rising upwards at varying heights from the ground, reminiscent of dandelions or alliums found in random formations.

Astrolix is a group of five spatial forms that float off the surface of a wall. Each one investigates future forms - things you might encounter out there in space - forms we don’t know about yet. Embodying fluid dynamics they explore our perceptions of solids and liquids, morphing together the industrial surfaces and materials of science fiction and rocket science with the iridescent colours and organic forms of asteroids and meteorites.

The nature of space also marries with the nature of earth. Astrolix reminds you of earthly structures – like the barrel-roll movement of a wave, the energetic cut of a bullet or the curvaceous twist of a shell. Fundamentally, Astrolix is a sculptural investigation – a celebration of our being on this planet and our inquisitive persistence in determining what else is out there – what forms are out there?

Astrolix is a group of five spatial forms that float off the surface of a wall. Each one investigates future forms - things you might encounter out there in space - forms we don’t know about yet. Embodying fluid dynamics they explore our perceptions of solids and liquids, morphing together the industrial surfaces and materials of science fiction and rocket science with the iridescent colours and organic forms of asteroids and meteorites.

The nature of space also marries with the nature of earth. Astrolix reminds you of earthly structures – like the barrel-roll movement of a wave, the energetic cut of a bullet or the curvaceous twist of a shell. Fundamentally, Astrolix is a sculptural investigation – a celebration of our being on this planet and our inquisitive persistence in determining what else is out there – what forms are out there?

Nowhere Land is a kinetic landscape of form; this distorted disc shape contains individual micro-forms en masse - each one subtly pinned so that it appears to hover over the disc’s curved surface. As if in communication with themselves the micro-forms shimmer, helped by any close encounter.

The concept of this work taps into the idea of ‘space habitation’ and the imminent encounters humans might face within a new language of form, surface and materials in zero gravity.

Bubble Chasm exists as an integral part of a sweeping architectural curve. The fine face of the curve fractures into bulbous distortions, which are mapped by a multiple-cell structure reminiscent of liquid bubbles. An archi-sculptural mutation, the blunt mass of surface converges with a core in flux.

Bubble Chasm exists as an integral part of a sweeping architectural curve. The fine face of the curve fractures into bulbous distortions, which are mapped by a multiple-cell structure reminiscent of liquid bubbles. An archi-sculptural mutation, the blunt mass of surface converges with a core in flux.

Ra is an aspirational wall-based object that requires the viewer to look up. Its name is symbolic of the sun’s fire and its form represents fast-flowing, horizontal speed that is frozen within an object, like molten lava.

Sampler is an exploration into how perpetual motion of form can be experienced. The surfaces and form remains in constant flux as its reflection warps and stretches according to the viewing position.

The 7 clay pods represent the containment of 7 day’s work. Each one is spun in one day to capture a particular tool’s gestural mark and the energetic input for that day. The sphere is symbolic of the infinite movement of energy transformed through rolling, turning, spinning and kiln-firing each pod at 7 different temperatures, freezing each day in time.

This serene installational space contains cast-wax hammers that are floating, as if from heaven, making them appear weightless and delicate. The brutal and masculine objectness of the hammers is transformed, obliterating our presumptions about functional objects.