Within each drawing in the Golden Spiral Series, Osmond has filled out the body of a spiral with free-flowing tapering lines, providing contrast and mass to each form.

The spiral is based on a geometric sequence, whereby a series of identically proportioned rectangles, each having a golden ratio of 1.618 or phi and symbolised as φ, which become wider by a factor of φ for every quarter turn it makes, creating a perfect spiral.  In nature, the golden spiral is often seen in living organisms, such as the spirals in seashells and plants, and in non-living examples such as the spiral arms of galaxies and the spirals of hurricanes.  

"All life is biology. All biology is physiology. All physiology is chemistry. All chemistry is physics. All physics is math.”

- Dr. Stephen Marquardt.

Within each drawing in the Golden Spiral Series, Osmond has filled out the body of a spiral with free-flowing tapering lines, providing contrast and mass to each form.

The spiral is based on a geometric sequence, whereby a series of identically proportioned rectangles, each having a golden ratio of 1.618 or phi and symbolised as φ, which become wider by a factor of φ for every quarter turn it makes, creating a perfect spiral.  In nature, the golden spiral is often seen in living organisms, such as the spirals in seashells and plants, and in non-living examples such as the spiral arms of galaxies and the spirals of hurricanes.  

"All life is biology. All biology is physiology. All physiology is chemistry. All chemistry is physics. All physics is math.”
- Dr. Stephen Marquardt.

Within each drawing in the Golden Spiral Series, Osmond has filled out the body of a spiral with free-flowing tapering lines, providing contrast and mass to each form.

The spiral is based on a geometric sequence, whereby a series of identically proportioned rectangles, each having a golden ratio of 1.618 or phi and symbolised as φ, which become wider by a factor of φ for every quarter turn it makes, creating a perfect spiral.  In nature, the golden spiral is often seen in living organisms, such as the spirals in seashells and plants, and in non-living examples such as the spiral arms of galaxies and the spirals of hurricanes.  

"All life is biology. All biology is physiology. All physiology is chemistry. All chemistry is physics. All physics is math.”
- Dr. Stephen Marquardt.

Within each drawing in the Golden Spiral Series, Osmond has filled out the body of a spiral with free-flowing tapering lines, providing contrast and mass to each form.

The spiral is based on a geometric sequence, whereby a series of identically proportioned rectangles, each having a golden ratio of 1.618 or phi and symbolised as φ, which become wider by a factor of φ for every quarter turn it makes, creating a perfect spiral.  In nature, the golden spiral is often seen in living organisms, such as the spirals in seashells and plants, and in non-living examples such as the spiral arms of galaxies and the spirals of hurricanes.  

"All life is biology. All biology is physiology. All physiology is chemistry. All chemistry is physics. All physics is math.”
- Dr. Stephen Marquardt.

Within each drawing in the Golden Spiral Series, Osmond has filled out the body of a spiral with free-flowing tapering lines, providing contrast and mass to each form.

The spiral is based on a geometric sequence, whereby a series of identically proportioned rectangles, each having a golden ratio of 1.618 or phi and symbolised as φ, which become wider by a factor of φ for every quarter turn it makes, creating a perfect spiral.  In nature, the golden spiral is often seen in living organisms, such as the spirals in seashells and plants, and in non-living examples such as the spiral arms of galaxies and the spirals of hurricanes.  

"All life is biology. All biology is physiology. All physiology is chemistry. All chemistry is physics. All physics is math.”
- Dr. Stephen Marquardt.

Within each drawing in the Golden Spiral Series, Osmond has filled out the body of a spiral with free-flowing tapering lines, providing contrast and mass to each form.

The spiral is based on a geometric sequence, whereby a series of identically proportioned rectangles, each having a golden ratio of 1.618 or phi and symbolised as φ, which become wider by a factor of φ for every quarter turn it makes, creating a perfect spiral.  In nature, the golden spiral is often seen in living organisms, such as the spirals in seashells and plants, and in non-living examples such as the spiral arms of galaxies and the spirals of hurricanes. 

"All life is biology. All biology is physiology. All physiology is chemistry. All chemistry is physics. All physics is math.”

- Dr. Stephen Marquardt.

This new series of line drawings explore well-known constellations seen in the northern and southern hemispheres, and the anomalies which surround them in space.

This new series of line drawings explore well-known constellations seen in the northern and southern hemispheres, and the anomalies which surround them in space.

This new series of line drawings explore well-known constellations seen in the northern and southern hemispheres, and the anomalies which surround them in space.

This new series of line drawings explore well-known constellations seen in the northern and southern hemispheres, and the anomalies which surround them in space.

This new series of line drawings explore well-known constellations seen in the northern and southern hemispheres, and the anomalies which surround them in space.

This new series of line drawings explore well-known constellations seen in the northern and southern hemispheres, and the anomalies which surround them in space.

This new series of line drawings explore well-known constellations seen in the northern and southern hemispheres, and the anomalies which surround them in space.

This new series of line drawings explore well-known constellations seen in the northern and southern hemispheres, and the anomalies which surround them in space.

This new series of line drawings explore well-known constellations seen in the northern and southern hemispheres, and the anomalies which surround them in space.

This new series of line drawings explore well-known constellations seen in the northern and southern hemispheres, and the anomalies which surround them in space.

This new series of line drawings explore well-known constellations seen in the northern and southern hemispheres, and the anomalies which surround them in space.

Stratosphere series of drawings includes: It's busy up here!, Sphere Cluster and Stratosphere. Each drawing provides a window-like view into an imaginary atmosphere, which could represent a dense field of planets or celestial matter.

Stratosphere series of drawings includes: It's busy up here!, Sphere Cluster and Stratosphere. Each drawing provides a window-like view into an imaginary atmosphere, which could represent a dense field of planets or celestial matter.

Stratosphere Series of drawings includes: It's busy up here!, Sphere Cluster and Stratosphere. Each drawing provides a window-like view into an imaginary atmosphere, which could represent a dense field of planets or celestial matter.

Stratosphere Series of drawings includes: It's busy up here!, Sphere Cluster and Stratosphere. Each drawing provides a window-like view into an imaginary atmosphere, which could represent a dense field of planets of celestial matter.

Dot Dash Domain references the ever-growing plethora of information building on the internet. The 'domain' is a spherical, multi-coloured mass of dots attracting dots and dashes, which race in towards the core's outer edge. You can imagine the domain growing larger and larger as layers of dots build up, in effect, like a rolling snowball.

Dot Dash Domain references the ever-growing plethora of information building on the internet. The 'domain' is a spherical, multi-coloured mass of dots, attracting dots and dashes, which race in towards the core's outer edge. You can imagine the domain growing larger and larger as layers of dots build up, in effect, like a rolling snowball.

Stargazer Series of drawings explore celestial movements over time that are not necessarily visible to the naked eye, but can be seen through a viewfinder.

Sparkler Series of drawings emit explosive colour, referencing the ephemeral flash point of pyrotechnic explosions. The outward resonating lines allude to the break down of explosive matter as the moment dissipates.

Sparkler Series of drawings emit explosive colour, referencing the ephemeral flash point of pyrotechnic explosions. The outward resonating lines allude to the break down of explosive matter as the moment dissipates.

Sparkler Series of drawings emit explosive colour, referencing the ephemeral flash point of pyrotechnic explosions. The outward resonating lines allude to the break down of explosive matter as the moment dissipates.

Sparkler Series of drawings emit explosive colour, referencing the ephemeral flash point of pyrotechnic explosions. The outward resonating lines allude to the break down of explosive matter as the moment dissipates.

Sparkler Series of drawings emit explosive colour, referencing the ephemeral flash point of pyrotechnic explosions. The outward resonating lines allude to the break down of explosive matter as the moment dissipates.

Sparkler Series of drawings emit explosive colour, referencing the ephemeral flash point of pyrotechnic explosions. The outward resonating lines allude to the break down of explosive matter as the moment dissipates.

Sparkler Series of drawings emit explosive colour, referencing the ephemeral flash point of pyrotechnic explosions. The outward resonating lines allude to the break down of explosive matter as the moment dissipates.

Sparkler Series of drawings emit explosive colour, referencing the ephemeral flash point of pyrotechnic explosions. The outward resonating lines allude to the break down of explosive matter as the moment dissipates.

The Spiral Series of drawings reference imploding stars. Each drawing is made up of an accumulation of hundreds of spirals and is intuitively hand-drawn over several weeks using varying sized pens to create an intensely layered form. The form appears to resonate and/or confuse the eye, much like staring at the sky at night.

Spiral Series supports Kevin's 3-dimensional sculptural work which explores clusters, scapes and find-structural forms that hover in space.

The Spiral Series of drawings reference imploding stars. Each drawing is made up of an accumulation of hundreds of spirals and is intuitively hand-drawn over several weeks using varying sized pens to create an intensely layered form. The form appears to resonate and/or confuse the eye, much like staring at the sky at night.

Spiral Series supports Kevin's 3D sculptural work which explores clusters, scapes and fine-structural forms that hover in space.

The Spiral Series of drawings reference imploding stars. Each drawing is made up of an accumulation of hundreds of spirals and is intuitively hand-drawn over several weeks using varying sized pens to create an intensely layered form. The form appears to resonate and/or confuse the eye, much like staring at the sky at night.

Spiral Series supports Kevin's 3D sculptural work which explores clusters, scapes and fine-structural forms that hover in space.

The Spiral Series of drawings reference imploding stars. Each drawing is made up of an accumulation of hundreds of spirals and is intuitively hand-drawn over several weeks using varying sized pens to create an intensely layered form. The form appears to resonate and/or confuse the eye, much like staring at the sky at night.

Spiral Series supports Kevin's 3D sculptural work which explores clusters, scapes and fine-structural forms that hover in space.

The Spiral Series of drawings reference imploding stars. Each drawing is made up of an accumulation of hundreds of spirals and is intuitively hand-drawn over several weeks using varying sized pens to create an intensely layered form. The form appears to resonate and/or confuse the eye, much like staring at the sky at night.

Spiral Series supports Kevin's 3D sculptural work which explores clusters, scapes and fine-structural forms that hover in space.

Big Bang is one of a series of spiral drawings which reference imploding stars. Each drawing is made up of an accumulation of hundreds of spirals and is intuitively hand-drawn over several weeks using varying sized pens to create an intensely layered form. The form appears to resonate and/or confuse the eye, much like staring at the sky at night. 

Spiral Series supports Kevin's 3D sculptural work which explores clusters, scapes and fine-structural forms that hover in space.

Big Bang is one of a series of spiral drawings which reference imploding stars. Each drawing is made up of an accumulation of hundreds of spirals and is intuitively hand-drawn over several weeks using varying sized pens to create an intensely layered form. The form appears to resonate and/or confuse the eye, much like staring at the sky at night.

Spiral Series supports Kevin's 3D sculptural work which explores clusters, scapes and fine-structural forms that hover in space.

Squirl Cluster has been drawn intuitively using a method of repetition to create an intense cluster loosely based on typographical squirls. Each doodle connects to the next, passing through a variety of colours and forming one continuous line that is explosive and weaves the length and depth of the paper.

Squirl Cluster has been drawn intuitively using a method of repetition to create an intense cluster loosely based on typographical squirls. Each doodle connects to the next, passing through a variety of colours and forming one continuous line that is explosive and weaves the length and depth of the paper.

Wormhole has been drawn intuitively using the repetition of varying elliptical shapes to produce a sprawling wormhole that appears then disappears into the depths of the paper from which it is drawn. It references anomalies currently being explored within quantum theory and space. 

Wormhole has been drawn intuitively using the repetition of varying elliptical shapes to produce a sprawling wormhole that appears then disappears into the depths of the paper from which it is drawn. It references anomalies currently being explored within quantum theory and space. 

Doodlemass is an unlimited series of freeform 3-dimensional doodle drawings on paper - each evolving from the total consumption of ink from one pen. As if the product of a very long telephone conversation, these drawings record a subconscious repetitive flowing thought. Each doodle is transformed from a worthless scribble, destined for the dustbin, into an integral component of a bigger picture. Each drawing involves a methodical sequence:

1. Select a doodle (no pre-conceived ideas)

2. Start anywhere on the page

3. Repeat

4. Continue until pen runs out

Doodlemass is an unlimited series of freeform 3-dimensional doodle drawings on paper - each evolving from the total consumption of ink from one pen. As if the product of a very long telephone conversation, these drawings record a subconscious repetitive flowing thought. Each doodle is transformed from a worthless scribble, destined for the dustbin, into an integral component of a bigger picture. Each drawing involves a methodical sequence:

1.  Select a doodle  (no pre-conceived ideas)

2.  Start anywhere on the page

3.  Repeat

4.  Continue until pen runs out

Doodlemass is an unlimited series of freeform 3-dimensional doodle drawings on paper - each evolving from the total consumption of ink from one pen. As if the product of a very long telephone conversation, these drawings record a subconscious repetitive flowing thought. Each doodle is transformed from a worthless scribble, destined for the dustbin, into an integral component of a bigger picture. Each drawing involves a methodical sequence:

1. Select a doodle (no pre-conceived ideas)

2. Start anywhere on the page

3. Repeat

4. Continue until pen runs out

Doodlemass is an unlimited series of freeform 3-dimensional doodle drawings on paper - each evolving from the total consumption of ink from one pen. As if the product of a very long telephone conversation, these drawings record a subconscious repetitive flowing thought. Each doodle is transformed from a worthless scribble, destined for the dustbin, into an integral component of a bigger picture. Each drawing involves a methodical sequence:

1. Select a doodle (no pre-conceived ideas)

2. Start anywhere on the page

3. Repeat

4. Continue until pen runs out

Doodlemass is an unlimited series of freeform 3-dimensional doodle drawings on paper - each evolving from the total consumption of ink from one pen. As if the product of a very long telephone conversation, these drawings record a subconscious repetitive flowing thought. Each doodle is transformed from a worthless scribble, destined for the dustbin, into an integral component of a bigger picture. Each drawing involves a methodical sequence:

1. Select a doodle (no pre-conceived ideas)

2. Start anywhere on the page

3. Repeat

4. Continue until pen runs out

Doodlemass is an unlimited series of freeform 3-dimensional doodle drawings on paper - each evolving from the total consumption of ink from one pen. As if the product of a very long telephone conversation, these drawings record a subconscious repetitive flowing thought. Each doodle is transformed from a worthless scribble, destined for the dustbin, into an integral component of a bigger picture. Each drawing involves a methodical sequence:

1. Select a doodle (no pre-conceived ideas)

2. Start anywhere on the page

3. Repeat

4. Continue until pen runs out

Doodlemass is an unlimited series of freeform 3-dimensional doodle drawings on paper - each evolving from the total consumption of ink from one pen. As if the product of a very long telephone conversation, these drawings record a subconscious repetitive flowing thought. Each doodle is transformed from a worthless scribble, destined for the dustbin, into an integral component of a bigger picture. Each drawing involves a methodical sequence: 

1.  Select a doodle  (no pre-conceived ideas)

2.  Start anywhere on the page

3.  Repeat

4.  Continue until pen runs out

Doodlemass is an unlimited series of freeform 3-dimensional doodle drawings on paper - each evolving from the total consumption of ink from one pen. As if the product of a very long telephone conversation, these drawings record a subconscious repetitive flowing thought. Each doodle is transformed from a worthless scribble, destined for the dustbin, into an integral component of a bigger picture. Each drawing involves a methodical sequence:

1. Select a doodle (no pre-conceived ideas)

2. Start anywhere on the page

3. Repeat

4. Continue until pen runs out

Doodlemass is an unlimited series of freeform 3-dimensional doodle drawings on paper - each evolving from the total consumption of ink from one pen. As if the product of a very long telephone conversation, these drawings record a subconscious repetitive flowing thought. Each doodle is transformed from a worthless scribble, destined for the dustbin, into an integral component of a bigger picture. Each drawing involves a methodical sequence:

1. Select a doodle (no pre-conceived ideas)

2. Start anywhere on the page

3. Repeat

4. Continue until pen runs out