Astrolix is a group of five spatial forms that hover over the surface of a wall. Working intuitively, Astrolix's organic shapes are carved from polystyrene, followed by an 8-step moulding process to complete the sculptures. In contrast, the forms appear as if they are created by computer - a simulated language of movement.

Astrolix was commissioned by Penguin Books, as part of the Penguin Books Sculpture Prize awarded in 2000. 

Astrolix is a group of five spatial forms that hover over the surface of a wall. Working intuitively, Astrolix's organic shapes are carved from polystyrene, followed by an 8-step moulding process to complete the sculptures. In contrast, the forms appear as if they are created by computer - a simulated language of movement.

Astrolix was commissioned by Penguin Books, as part of the Penguin Books Sculpture Prize awarded in 2000.

Astrolix is a group of five spatial forms that hover over the surface of a wall. Working intuitively, Astrolix's organic shapes are carved from polystyrene, followed by an 8-step moulding process to complete the sculptures. In contrast, the forms appear as if they are created by computer - a simulated language of movement.

Astrolix was commissioned by Penguin Books, as part of the Penguin Books Sculpture Prize awarded in 2000. 

In 2002 Contemporary Art Society Projects commissioned a site-specific sculpture, entitled Disposable, for The Economist magazine's headquarters in St. James's, London. 7000 white disposable plastic cups - the same quantity that workers in an average UK office use and dispose of each month - are slotted together, as if stacked, to create a large-scale structure that twists and turns in one continuous flowing movement. The line produced is a three-dimensional scribble that sets out to redefine the famous recycling ‘arrow’ symbol found on many product packages and other consumable containers such as fast-food wrappers. Collectively the inane plastic cups are transformed into a gleaming form, acquiring a permanence that juxtaposes its intended ‘throwaway’ function.

In 2002 Contemporary Art Society Projects commissioned a site-specific sculpture, entitled Disposable, for The Economist magazine's headquarters in St. James's, London. 7000 white disposable plastic cups - the same quantity that workers in an average UK office use and dispose of each month - are slotted together, as if stacked, to create a large-scale structure that twists and turns in one continuous flowing movement. The line produced is a three-dimensional scribble that sets out to redefine the famous recycling ‘arrow’ symbol found on many product packages and other consumable containers such as fast-food wrappers. Collectively the inane plastic cups are transformed into a gleaming form, acquiring a permanence that juxtaposes its intended ‘throwaway’ function.

In 2002 Contemporary Art Society Projects commissioned a site-specific sculpture, entitled Disposable, for The Economist magazine's headquarters in St. James's, London. 7000 white disposable plastic cups - the same quantity that workers in an average UK office use and dispose of each month - are slotted together, as if stacked, to create a large-scale structure that twists and turns in one continuous flowing movement. The line produced is a three-dimensional scribble that sets out to redefine the famous recycling ‘arrow’ symbol found on many product packages and other consumable containers such as fast-food wrappers. Collectively the inane plastic cups are transformed into a gleaming form, acquiring a permanence that juxtaposes its intended ‘throwaway’ function.

Kevin Osmond installed the Astrolix series of wall-based sculptures at Credit Suisse First Boston’s headquarters in Canary Wharf, London, which forms part of the company’s art collection.